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The story follows, a teen genius who stumbles across a mysterious otherworldly notebook: the 'Death Note', which belonged to the, and grants the user the supernatural ability to kill anyone whose name is written in its pages. See also:In Tokyo, an intelligent yet disaffected high-school student named finds the 'Death Note', a mysterious black notebook which can kill anyone as long as the user knows both the target's name and face.
After verifying that the notebook works and initially being terrified of its god-like abilities, Light begins to consider the possibilities of the Death Note's abilities and sets out to create a utopian world without crime, killing numerous high-profile Japanese criminals, before eventually targeting international criminals and felons around the world. Eventually, Light is visited by, a ',' beings inspired by the Japanese god of death and the Death Note's previous owner, who dropped the notebook into the human world out of boredom.
Ryuk, who is invisible to anyone who has not touched the Death Note, is amused by Light's actions and serves as Light's companion. As numerous criminals and convicts around the world begin to die of inexplicable freak accidents and heart attacks, the global media begin to believe that a single mastermind is responsible for the mysterious murders and name him 'Kira', the Japanese of the word: 'killer', who is both feared and beloved by the public and law enforcement agencies.
Hoping to apprehend Kira, requests the assistance of an enigmatic and highly esteemed international consulting detective, known as, who has cracked numerous crime cases around the world, to assist them in the investigation. After deducing that Kira is based in Japan, L stages a TV broadcast in which he tricks Light into revealing that he is in the Kanto region of Japan, by manipulating him to kill a decoy. Humiliated, Light vows to kill L, whom he views as obstructing his plans.
L quickly deduces that Kira has inside knowledge of the Japanese police's investigation, led by Light's father,. Under the suspicion that 'Kira' could have familial connections with the members of the 'Kira' investigation, L assigns a team of FBI agents to monitor the families of those connected with the investigation, but Light outmaneuvers and kills them all. Nonetheless, L picks up enough hints to designate Light as the prime suspect.
Around this time, Light graduates from high school to college. L recruits Light into the, both trying to get the other to reveal crucial info. Misa makes a deal with Rem for Shinigami eyes, which allows her to kill knowing only the face at the cost of half her lifespan. Misa commits numerous murders, sends taped recordings to the police, and eventually uncovers Light's identity as the original Kira. Infatuated with Light, she demands Light be her boyfriend.
Although he does not love Misa, Light agrees, intending to use Misa's Shinigami eyes to discern L's true name. However, before she can do so, L deduces that Misa is likely the second Kira and detains her. Rem, who has feelings for Misa, threatens to kill Light if he does not find a way to save Misa. Light arranges a scheme in which he and Misa temporarily lose their memories of the Death Note, and has Rem pass the Death Note to a less morally driven individual, of the.
Now with no knowledge of the Death Note, Light wholeheartedly joins the investigation. Together, Light and L deduce Higuchi's identity, arrest him, and discover the existence of the Death Notes and the Shinigami. When they touch the Death Note, Light and Misa regain their memories, and Light kills Higuchi with a piece of the Death Note, regaining possession of the book. However, L casts suspicion on Misa, forcing Rem to murder L to save her. Rem dies in the process, as it is forbidden for Shinigami to prevent humans from dying.
The task force agrees to cover up L's death and appoint Light as the new L. The investigation stalls as a result. Four years later, crime rates worldwide have massively dropped, but cults have arisen which adore Kira.
Two intelligent young men, who were raised as potential successors to L, are revealed:. Both are aware that L is dead, and thus consider Light, the current L, a prime suspect. Mello, along with the Mafia's assistance, kidnaps Light's sister, resulting in his father's death during the rescue mission.
He also appoints a well-known newscaster, as Kira's public spokesperson. Realizing that Takada is connected to Kira, Mello kidnaps her. Takada kills Mello with a hidden page of the Death Note but is killed by Light in order to dispel suspicions. Light seizes the chance to have Mikami kill Near as well as all the task force members. However, Mikami's Death Note fails to work. It is revealed that Near had replaced Mikami's Death Note with a decoy.
Perusing the names Mikami had written down, only Light's is missing, which proves Light is Kira. A scuffle breaks out during which Light is grievously wounded. Ryuk, realizing that Light will spend the rest of his life in prison, writes down Light's name in his Death Note—as he had promised to do at the beginning of the story. Production The Death Note concept derived from a rather general concept involving and 'specific rules'.
Ohba wanted to create a suspense series because he did not feel that he could have created a fight-style series and that the genre had few suspense series' available to the public. After publication of the pilot chapter, the series was not expected to be approved as a serialized comic by the author, who did not consider it to 'fit with Jump'. Ohba said that, when he learned that Death Note had received approval and that Takeshi Obata would create the artwork, he 'couldn't even believe it'.
Due to positive reactions, Death Note became a serialized manga series. Thumbnails' were created incorporating dialog, panel layout, and basic drawings, and were sent to the illustrator. The editor reviewed the thumbnails and sent them to the illustrator Obata with the script set in stone and the panel layout 'mostly done'.
Obata then determined the expressions and 'camera angles' and created the final artwork. Ohba concentrated on the tempo and the amount of dialogue, making sure that the text was as concise as possible.
Ohba commented that he believed 'reading too much exposition' would be tiring and would negatively affect the atmosphere and 'air of suspense'. Significant artistic license was given to the illustrator who worked on basic descriptions, such as 'abandoned building', and this extended to the design of the Death Notes with Obata given a free rein.
When Ohba decided on the plot he internally visualized the panels while on his bed, drinking tea, or walking around his house, needing to feel relaxed while visualizing the panels. On many occasions, the original draft was too long and needed to be refined various times before the desired 'tempo' and 'flow' for the chapter was finalized. The writer remarked on his preference for reading the previous 'two or four' chapters carefully to ensure consistency in the story.
The typical weekly production schedule consisted of five days of creating and thinking and one-day using a pencil to insert dialogue into rough drafts; after this point, the writer faxed any initial drafts to the editor.
The illustrator's weekly production schedule involved one day with the thumbnails, layout, and pencils and one day with additional penciling and inking. Obata's assistants usually worked for four days and Obata spent one day to finish it. Obata said that sometimes he took a few extra days to color pages and that this 'messed with the schedule'. In contrast, the writer took three or four days to create a chapter on some occasions, while on others he took a month.
Obata said that his schedule remained consistent except when he had to create color pages. Ohba and Obata rarely met in person during the creation of the serialized manga; instead, the two met with the editor. The first time they met in person was at an editorial party in January Obata said that, despite the intrigue, he did not ask his editor about Ohba's plot developments as he anticipated the new thumbnails every week.
The two did not discuss the final chapters with one another and they continued to talk with the editor. Ohba said that when he asked the editor if Obata had 'said anything' about the story and plot the editor responded: 'No, nothing'. Ohba claims that the series ended more or less in the manner that he intended for it to end; he considered the idea of defeating Light Yagami with Light dying, but instead chose to use the 'Yellow Box Warehouse' ending.
According to Ohba, the details had been set 'from the beginning'. The writer wanted an ongoing plot line instead of an episodic series because Death Note was serialized and its focus was intended to be on a cast with a series of events triggered by the Death Note. Concepts The notebooks The core of the story is the 'Death Note' itself, a black notebook with instructions known as 'Rules of the Death Note' written on the inside.
When used correctly, it allows anyone to commit a murder, knowing only the victim's name and face. According to the director of the live-action films, 'the idea of spirits living in words is an ancient Japanese concept. In a way, it's a very Japanese story'. Artist originally thought of the books as 'Something you would automatically think was a Death Note'. Deciding that this design would be cumbersome, he instead opted for a more accessible college notebook.
Death Notes were originally conceived as changing based on time and location, resembling scrolls in ancient Japan, or the in medieval Europe. However, this idea was never used. Themes Writer had no particular themes in mind for Death Note. When pushed, he suggested: 'Humans will all eventually die and never come back to life, so let's give it our all while we're alive'.
He went on to say that 'no human has the right to pass judgment on another's actions. No one should play God'. He said that 's climactic speech about good and evil was rooted in his own beliefs. In a paper, Jolyon Baraka Thomas characterised Death Note as heavily influenced by the conflicts between liberty and security; as illustrating that high moral ideals are easily corrupted, and that people will always justify horrific acts of violence in the name of safety.
Thomas writes that 'the price of peace is death'. Thomas' paper lists Death Note as one of the later and more sophisticated psychological thrillers released in the wake of the , saying that it examines the human tendency to express itself through 'horrific' cults and describes the negative effects of those cults on the members, on their families, and on society.
Through the that characterizes the story throughout, readers are reminded that their own ideas of good and evil might not differ so much from those of extremist cult members. Pilot chapter The Death Note process began when Ohba brought thumbnails for two concept ideas to; Ohba said that the Death Note pilot, one of the concepts, was 'received well' by editors and attained positive reactions by readers. Ohba described keeping the story of the pilot to one chapter as 'very difficult' and he said that he remembered it took over a month to begin writing the chapter.
He added that the story had to revive the killed characters with the Death Eraser and that he 'didn't really care' for that plot device. Obata said that he wanted to draw the story after he heard of a 'horror story featuring Shinigami'. According to Obata, when he first received the rough draft created by Ohba, he 'didn't really get it' at first and he wanted to work on the project due to the presence of Shinigami and because the work 'was dark'.
He also said he wondered about the progression of the plot as he read the thumbnails, and if Jump readers would enjoy reading the comic.
Obata said that while there is little action and the main character 'doesn't really drive the plot', he enjoyed the atmosphere of the story. He stated that he drew the pilot chapter so that it would appeal to himself.
Ohba brought the rough draft of the pilot chapter to the editorial department. Obata came into the picture at a later point to create the artwork.
They did not meet in person while creating the pilot chapter. Ohba said that the editor told him he did not need to meet with Obata to discuss the pilot; Ohba said 'I think it worked out all right'. Anime adaptation , the director, said that he wished to convey aspects that 'made the series interesting' instead of simply 'focusing on morals or the concept of justice'.
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